mystik610
July 26th, 2009, 3:18 PM
I had a lot of time to play with the VTF-3 this weekend, and am thoroughly impressed by it!
Compared to the STF-2 that I was running previously, the VTF-3 performs as you expect a sub with a larger driver and more powerful amp would: it gets much louder and can extend deeper without distorting. My living room is a very open space and there aren't a whole lot of walls to shake, but the VTF very adequately pressurizes the air in the room and fills the entire space with very fat, clean sounding bass. The sound quality is at least as good as the STF-2 in the upper LFE frequencies, and its ability to bring out the frequencies below 30hz really gives it more 'oomph'.
I'm running the sub is max extension mode, currently have the gain dialed halfway at 12 o'clock, and the subwoofer level set to +3db on my Onkyo 706. While I'm admittedly running the VTF-3 pretty hot, it has handled everything I throw at it without a hitch. I ran Iron Man, The Dark Knight, Live Free or Die Hard, Wall-E, Transformers, and the 'Amazing Life' THX demo at the highest volume levels I think anyone could tolerate (-15 reference on the 706) and the VTF-3 handled it all with relative ease. In fact, with my current settings, the VTF-3 seems much too loud and I'll probably be turning it down once the novelty of overwhelmingly loud bass wears off.
What's more impressive than the raw power of the sub though is how subtle and musical it can be. After spending yesterday running bass heavy action movie scenes through the VTF-3, I spent today playing some concert blu-rays that I have. Without changing the settings, thae VTF-3 can articulate the musical nuances of the string bass solo in the Michael Buble' 'Caught in the Act' concert. With the Foo Fighters concert both the kick drum and the bass guitar are separately, and clearly audible. With the John Legend concert the bass line is hard and heavy like it should be in a modern R&B song, but its clean and laid back enough to allow the vocals to shine.
The dynamics and the versatility of the sub is what makes it great. For bass heavy home theater scenes, the VTF-3 very dramatically makes its presence known...the amount of air this thing can push from the dual 4 inch ports is kinda scary (it shook the hell out of my couch when I had the ports aimed at it). At the same time, the sub 'disappears' and integrates itself with the rest of the soundstage seamlessly when it should. At times, I found myself checking that it was even on, not because the bass wasn't audible, but because it didn't sound like a subtle bass tone could be articulated so cleanly from a sub that just a few minutes ago was shaking the adjacent windows.
It doesn't take a lot to build a sub that can play real loud and extend real low...just take a big driver, power it with a big amp, and enjoy (I did it plenty of times myself back in my youthful days of tinkering with car audio). To have a sub that is both loud and dramatic AND very accurate and musical without having to adjust settings...thats really something to be impressed by. Thats where the value in the VTF-3 exists.
edit:
Oh and I stopped by Frys today to have a look around and they had Iron Man (which has an LFE track I know very well) playing through a demo using a 15 inch velodyne. While the velodyne hit pretty hard, it sounded boomy as hell compared to the HSU. The velodyne just seemed to rumble excessively, and the bass tones that should have been more laid bad were grossly exaggerated. The velo definitely wasn't worth the $800 price tag IMO.
HSU subs really change your views on what a good LFE track should sound like.
Compared to the STF-2 that I was running previously, the VTF-3 performs as you expect a sub with a larger driver and more powerful amp would: it gets much louder and can extend deeper without distorting. My living room is a very open space and there aren't a whole lot of walls to shake, but the VTF very adequately pressurizes the air in the room and fills the entire space with very fat, clean sounding bass. The sound quality is at least as good as the STF-2 in the upper LFE frequencies, and its ability to bring out the frequencies below 30hz really gives it more 'oomph'.
I'm running the sub is max extension mode, currently have the gain dialed halfway at 12 o'clock, and the subwoofer level set to +3db on my Onkyo 706. While I'm admittedly running the VTF-3 pretty hot, it has handled everything I throw at it without a hitch. I ran Iron Man, The Dark Knight, Live Free or Die Hard, Wall-E, Transformers, and the 'Amazing Life' THX demo at the highest volume levels I think anyone could tolerate (-15 reference on the 706) and the VTF-3 handled it all with relative ease. In fact, with my current settings, the VTF-3 seems much too loud and I'll probably be turning it down once the novelty of overwhelmingly loud bass wears off.
What's more impressive than the raw power of the sub though is how subtle and musical it can be. After spending yesterday running bass heavy action movie scenes through the VTF-3, I spent today playing some concert blu-rays that I have. Without changing the settings, thae VTF-3 can articulate the musical nuances of the string bass solo in the Michael Buble' 'Caught in the Act' concert. With the Foo Fighters concert both the kick drum and the bass guitar are separately, and clearly audible. With the John Legend concert the bass line is hard and heavy like it should be in a modern R&B song, but its clean and laid back enough to allow the vocals to shine.
The dynamics and the versatility of the sub is what makes it great. For bass heavy home theater scenes, the VTF-3 very dramatically makes its presence known...the amount of air this thing can push from the dual 4 inch ports is kinda scary (it shook the hell out of my couch when I had the ports aimed at it). At the same time, the sub 'disappears' and integrates itself with the rest of the soundstage seamlessly when it should. At times, I found myself checking that it was even on, not because the bass wasn't audible, but because it didn't sound like a subtle bass tone could be articulated so cleanly from a sub that just a few minutes ago was shaking the adjacent windows.
It doesn't take a lot to build a sub that can play real loud and extend real low...just take a big driver, power it with a big amp, and enjoy (I did it plenty of times myself back in my youthful days of tinkering with car audio). To have a sub that is both loud and dramatic AND very accurate and musical without having to adjust settings...thats really something to be impressed by. Thats where the value in the VTF-3 exists.
edit:
Oh and I stopped by Frys today to have a look around and they had Iron Man (which has an LFE track I know very well) playing through a demo using a 15 inch velodyne. While the velodyne hit pretty hard, it sounded boomy as hell compared to the HSU. The velodyne just seemed to rumble excessively, and the bass tones that should have been more laid bad were grossly exaggerated. The velo definitely wasn't worth the $800 price tag IMO.
HSU subs really change your views on what a good LFE track should sound like.